Framing the instrumental offerings were excerpts from two of the better known operas by Carl Heinrich Graun, Kapellmeister of the Berlin opera and a master of opera seria and the galant style. From “Cleopatra e Cesare” there was the sweetly expressive “Se c’abbandoni” and the expansive, virtuosic “Tra le procelle,” based on the familiar metaphor of a storm at sea, as well as an exquisite duet sung by sopranos Nacole Palmer and Jamet Pittman. From Graun’s“Montezuma” came the minor-key pathos of “Erra quell nobil core” and Fernando Cortez’s raging in “Sì, per la rea congiura.” Fox is fortunate to have singers — Melissa Hughes, Palmer, Pittman, Scott Dispensa, Oliver Mercer — capable of giving creditable accounts of these difficult arias. Also heard were some rousing choruses. Fox’s conducting showed a sure feeling for the elegance and drama of the music.
Dude spelled my name wrong, but whatevs. Rousing choruses??? Really?
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